Monthly Archives: February 2012

MKR – Who rules who?

Watching My Kitchen Rules (MKR) is a new thing for me. I don’t watch much reality TV but MKR has started up and university hasn’t (yet), so I have a small amount of time available for TV. The show’s official site describes it as follows:

Each team will take turns to transform an ordinary home into an instant restaurant for one pressure-cooker night. They’ll serve up a three-course menu designed to impress not only their fellow contestants but our esteemed judges.

On last Thursday night’s episode, February 23, engaged scientists Emma and Andrew presented an Asian feast. They didn’t have a great night. Key elements of each course didn’t come together well and consequently the food was poorly received by judges and fellow competitors alike. One fellow contestant, who had also scored poorly, described Emma and Andrew’s dessert effort in this way:

“It’s a bit like what you envision at an orphanage where they’re just like slopping it on the plate. Sloppy Joes! Get your Sloppy Joes!”

Incisive critique? Cheap tactics? A passing comment? Regardless of how people play the game, food shows like MKR are clearly a privilege of our material prosperity. The tastes, sights and smells, the unique human ability to create (and critique) gastronomical delights, are all good gifts from God. Our taste buds and olfactory system are perfectly suited to enjoying the spectrum of flavours and smells available in the diversity of foods on this planet – foods which we enjoy in abundance in Australia. I don’t think there was any malice in the statement but when one’s enjoyment of food blinds you to the plight of those who have not, it could be a sign that your kitchen might just be ruling you.

Contagion (2011)

Contagion depicts the spread of a highly contagious and deadly virus which rapidly spreads across the world and threatens to kill hundreds of millions of people unless an international team of scientists can develop a vaccine fast enough to stop it. The film is a disaster thriller in the hyper-realistic style of Syriana. It even stars Matt Damon as a father of two whose family is among the first affected by the virus. As the virus spreads, the death toll rises and society begins to decay as desperate people search for a cure and fight for survival.

Contagion is a uniquely scientific film. Pleasing for someone like me. It’s also educational. The film was made with the cooperation of the Center for Disease Control (CDC), and this shows in the realistic depiction of scientific research, procedures, planning, and of course the media response and skepticism. Yet for a movie so graphically depicting our worst fears of humanity sliding towards the precipice of extinction, there is very little reflection on the end of the world, apart from two peripheral characters. Or perhaps that is the movie’s message.

One character refers to a CDC scientist as “Jesus in a lab coat” – the one to save society from the pain and suffering of this world. Which it can. To an extent. Science has brought tremendous advancements in terms of public health, medicine, medical technology to detect illnesses, to treat the human body and our physical afflictions.

Young Jory Emhoff expresses something of these limits when he asks his father (paraphrased) “why can’t they invent an injection to stop time?” This is both an appeal to science to save him and an expression of how we humans are locked into time – stop time and you can enjoy a moment for as long as you like; you pause the processes which lead to our inevitable end. Ultimately it’s a cry to defeat death.

Jesus was a healer. These miracles were not ends in themselves, but pointed to his divine power and command over natural forces. The miracles were a taste of ‘heaven’ or life in the presence of God, which is described in the Book of Revelation as a place with no more tears, sickness or sorrow (and very little about clouds). A world without contagions:

And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” (Revelation 21:3-4)

And Jesus came to heal more than our physical malaise. The kingdom of God promises restored relationships too – relationships defined by generosity, humility and self-sacrifice. As society decays, people loot and kill in the fight for survival; people are crushed in desperate scuffles over one (potential) source of hope. At what point do ordinary people put one life over another? While hoping in what may or may not be?

Eventually the vaccine is successful and mankind is saved, society begins to return to normal. Science saves the world by mere days. Contagion‘s strength lies in the precarious fragility of human life, and the power of modern medicine to develop solutions for the good of people. Truly, we live in groaning world of Romans 8:

the creation was subjected to futility, not willingly, but because of him who subjected it, in hope 21 that the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God. 22 For we know that the whole creation has been groaning together in the pains of childbirth until now. (Romans 8:20-22)

Science is good for what it is, but a vaccine won’t prevent us turning into barbarians when our world falls apart nor can it salve our deepest fears of what lies beyond the moments we breathe our last.

Science & Faith (The Script, 2010)

Science & Faith is the second album from Irish pop rock band The Script, responsible for hits such as “Before the Worst” and “Breakeven”. The title track addresses “the primacy of love in the universal equation”, and worldviews clash when the singer tries to explain love to his girlfriend in scientific terms:

“I tried pushing evolution as the obvious conclusion from the start. It was for my own amusement, saying love was an illusion of a hopeless heart.”

Of course, she isn’t impressed:

“You won’t find faith or hope down a telescope
You won’t find heart and soul in the stars
You can break everything down to chemicals
But you can’t explain a love like ours.”

She chides him for holding to a form of ontological reductionism, which cannot explain their relationship in real terms – if all that we experience is merely molecules in motion, then love would certainly be an illusion along with everything else we feel, perceive and believe. Yet we as individuals give & receive love and our society commends selfless acts. And The Script agrees in “This = Love”:

“And it’s in the heart of the soldier
As he takes a bullet on the front line…
And it’s in the hands of the father yeah
As he works his fingers to the bone yeah”

But if Science & Faith deals with “the primacy of love in the universal equation” then love-gone-bad is the album’s lowest common denominator: the singer describes one particularly bad breakup as an emergency room experience in “Exit Wounds”:

“Can anybody help me with these exit wounds? I don’t know how much more love this heart can lose. “

It’s a great question but it’s also the sad note the album ends on. There are no answers in the drink and pills the singer laments are “living but without the will”. And at least one person in the relationship views people as functional saviours, as in the song “Walk Away”:

“If you’re looking for heaven than it sure as hell ain’t me.”

At least the singer has a realistic assessment of his ability.
So does The Script ever solve their universal equation? Well, yes and no. They affirm self-sacrificial relationships and in “This = Love” they declare that ‘love is from above’, without elaborating further. Love is something that comes from ‘above’, but not from the stars or some great unknown entity, but from God:

This is love, not that we loved God, but that he loved us, and sent his son to be the propitiation for our sins. (1 John 4:10)

Indeed, the Bible goes so far as to say that God is love (1 John 4:8); love is essential to His character. This a love that transcends space and time to reach us in our deepest need – the death and resurrection of Jesus transforms lives by conquering sin, reconciling us to God and enabling us to love people. In this way love truly comes from above.